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Tweedle dee tweedle dum
Tweedle dee tweedle dum





tweedle dee tweedle dum

Dee breaks through the door and starts wandering around the apartment looking for something, though Bigby can't tell what. Snow gives Lawrence the pistol and tells him to play dead while she and Bigby hide in the closet. If Bigby visits the apartment first, he hears a knock on the door while questioning Lawrence. ( Determinant)ĭee is first seen at Lawrence's apartment, though the circumstances of the meeting can differ.

tweedle dee tweedle dum

But even so, “I know that fortune is waiting to be kind, so give me your hand and say you’ll be mine.- Tweedle Dee explains why Prince Lawrence is dead, and expresses his horror after he shot himself in front of him after he mentioned Faith's death. In a world that makes no sense there is no way out. Tweedle-dee Dum, he’ll stab you where you standĪs Dylan says at the start of the next track “Your days are numbered so are mine”.

tweedle dee tweedle dum

Tweedle-dee Dee is a lowdown, sorry old man Only near the end do we get a differentiation between the two I write it as one line because that is how it could be, everyday events mixed with the outrageous. Well, the rain beating down on my window pane, I got love for you and it’s all in vain, Brains in the pot, they’re beginning to boil, They’re dripping with garlic and olive oil We don’t get Paul Revere’s horse but we get a lot of other characters. Although the voice has changed this could almost be a Highway 61 Revisited song. The notion of weird and wild characters populating songs of course was the commonplace of Dylans albums of the late 60s. “It ends in death, and sets the stage for an album populated by rogues, con men, outcasts, gamblers, gunfighters and desperados, many of them with nothing to lose, some of them out of their minds, all of them quintessentially American. “It rolls in like a storm, drums galloping over the horizon into ear shot, guitar riffs slicing with terse dexterity while a tale about a pair of vagabonds unfolds,” writes Kot. The opening track, “‘Tweedle Dee & Tweedle Dum’, includes many references to parades in Mardi Gras in New Orleans, where participants are masked, and “determined to go all the way” of the parade route, in spite of being intoxicated. The implication is that Dylan is referring to two people – the leaders of east and west perhaps, the leaders of the Republicans and Democrats… who knows – although given the rest of the album I’d for for the latter. Even with the extended lines, everything works. The bass is excellently played and rarely for a Dylan song no slips are made anywhere. So what does Dylan make of this children’s rhyme? It’s a three chord piece with a pounding bongos rhythm and very restrained lead guitar. I suspect many other children of the era had the same experience.Īs Wikipedia says “The names have since become synonymous in western popular culture slang for any two people who look and act in identical ways, generally in a derogatory context.” The Tweedle brothers never contradict each other, even when one of them, according to the rhyme, “agrees to have a battle”. Tweedledum and Tweedledee are characters in Lewis Carroll’s Through the Looking-Glass, and What Alice Found There a book which I was read by my father as I grew up as a child.







Tweedle dee tweedle dum